2. Uluslararası UTAD Tiyatro Araştırmaları Konferansı
  2nd UTAD Conference "Existence, Tradition and Future"
  İstanbul
  5-7.EYLÜL,2024
     
KATEGORİ  
Sanat
YER   İstanbul
TARİH   5-7.EYLÜL.2024
DÜZENLEYEN KURULUŞ   -Uluslararası Tiyatro Araştırmaları Derneği (UTAD)
-Bahçeşehir Üniversitesi Konservatuvar

ETKİNLİK MERKEZİ   Bahçeşehir Üniversitesi Konservatuvar
ORGANİZATÖR KURULUŞ  
ETKİNLİK WEB SAYFASI   www.utadconference.com/
DAVET KONAKLAMA LİNKLER İLETİŞİM
As a form of art based on live performance, theatre has managed to maintain its existence by undergoing change and transformation throughout history from rituals to the present day. As a witness and narrator of history, the art of theatre has encountered wars, disasters, crises, earthquakes, societal transformations, and pandemics; yet, it has always managed to pull love, hope, love, peace and justice out of its hat.

From primitive tribal societies to the present day, debates have been conducted on the tradition and future of theatre. In the tradition of theatre, there is the idea of telling a story to the audience with the principle of being present and current, while its future is characterised by the idea of always adapting to the new. From the Anthropocene era to the present day, the survival of theatre has depended on its capacity to keep up with ages as a dynamic art. From the cave to the site states, from the baroque stage to the digital stage, theatre has been able to preserve its existence in an avant-garde way with its dynamic structure. That is why we always say EXIST, theatre!

Since the art of theatre can adapt to changes due to its dynamic performative structure, it has has been a subject of curiosity for philosophers, artists, politicians and scientists throughout the ages. The theories, play texts, playwrights, actors, directors, stage designers, etc., emerging throughout history have been active subjects to present the cyclical temporality of theatre between tradition and future. From Poetics to Ars Poetics, from Paradox of the Actor to The Invisible Actor, from Thetre of Cruelty to Theatre of the Poor, from post-dramatic to digital theatre, the way theatre relates to the audience and society has been the subject of many books.

If there were no theatre, would there have been masters who could better depict the transformations in everyday life than Aristophanes, Molière, Shakespeare, Hagop Vartovyan, Brecht, Beckett, Haldun Taner, Tennessee Williams, Sarah Kane? If there were no theatre, would we be able to applaud our favorite actors of today on stage? Therefore, understanding the transformations of theatre from tradition to future is, in a sense, understanding the world and human beings.

As Turkish Society for Theatre Research, we are waiting for your paper abstracts or applied workshops on the following topics (and/or their intersections):

Existence of Theatre as a Form of Art

The relationship between theatre and performance
The existence of the performance
The existence of dramatic text
The existence of playwrights
The existence of actor/actress
The existence of authors and/or translators
The existence of directors
The existence of dramaturgs
The existence of stage designers
The existence of the audience
The existence of theatre academy
Tradition in Theatre

The tradition of narrative and storytelling in local or universal context
Storytelling
Preservation of the traditional, Invention of Tradition and Transformation of Tradition
The relationship between literature, language, and theatre
Classics and their reinterpretation in theater
The Future of Theatre

Post-dramatic theatre
Futurist theatre
Digital Theatre
Posthumanist theatre
Transhumanist theatre
The Relation between Theatre and Social Media
Theatre and Technology
Ecological Theatre and Eco-Dramaturgy
Auditory Theatre (Radio and Podcast Theatre)
Existence, Tradition, and Future: Special Topics

Acting Methods and Approaches
Directing Methods and Approaches
Applied Dramaturgy
Publishing and Copyright
Artificial Intelligence (AI) and Theatre
Multiculturalism in Theatre
Ethnic Racial and Minority Theatre
Shakespeare Studies
Stage Music
Dance Theatre
Physical Theatre Studies
Multicultural Theatre
Political Theatre
Musical Theatre
Puppet Theatre
Documentary Theatre
Forum Theatre and Augusto Boal
Gender in Theatre
Child and Youth Theatre
Theatre in Education
Creative Drama in Education
The Relationship between Game-based Learning, Gamification, and Theatre
Theatre, Pedagogy and Social Responsibility
Stage Design
Cinema and Theatre Relation

Geri